Exporting with Autodesk 3ds Max - Revision history

Tonyhilliam at 03:22, 17 January 2018

2018-01-17T03:22:49Z

← Older revision		Revision as of 03:22, 17 January 2018
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	''Please note that this document is obsolete as of trainz-build 4.5. See [[HowTo/Export from 3DS Max using FBX]] instead.''		'''Please note that this document is obsolete as of trainz-build 4.5. See [[HowTo/Export from 3DS Max using FBX]] instead.'''


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	[[Image:MaxMaterialEd_BitmapProps_AlphaSource.jpg]]		[[Image:MaxMaterialEd_BitmapProps_AlphaSource.jpg]]

	~~[[Category:Modeling]]~~

Windwalkr at 02:34, 7 November 2016

2016-11-07T02:34:24Z

← Older revision		Revision as of 02:34, 7 November 2016
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			''Please note that this document is obsolete as of trainz-build 4.5. See [[HowTo/Export from 3DS Max using FBX]] instead.''


	==Further Reference==		==Further Reference==

Windwalkr: Windwalkr moved page Exporting with 3D Studio Max to Exporting with Autodesk 3ds Max

2015-07-26T05:39:22Z

Windwalkr moved page Exporting with 3D Studio Max to Exporting with Autodesk 3ds Max

← Older revision	Revision as of 05:39, 26 July 2015
(No difference)

Mjolnir: /* Common Material Editor Properties */

2013-07-10T10:51:10Z

Common Material Editor Properties

← Older revision		Revision as of 10:51, 10 July 2013
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	The specular levels in the alpha channel are great for representing the difference between e.g. a tin roof and brick wall.		The specular levels in the alpha channel are great for representing the difference between e.g. a tin roof and brick wall.

	For a material that deals strictly with e.g something brass or copper ~~then~~ a colored specular light is useful. For most purposes it's best to stick to the grayscale range. So black or near to it for areas you want dull and ranging to white for areas you want very shiny.		For a material that deals strictly with a metal object, e.g something representing brass or copper, a colored specular light may be useful. For most purposes it's best to stick to the grayscale range. So black or near to it for areas you want dull and ranging to white for areas you want very shiny.

	[[Image:max_material_commonl_settings.jpg]]		[[Image:max_material_commonl_settings.jpg]]
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	Diffuse - White (Can be changed to tint material)		Diffuse - White (Can be changed to tint material)
	Glossiness - 32 (Viewport representation only, not currently used in game)		Glossiness - 32 (Viewport representation only, not currently used in game)


	==Textures with alpha channels==		==Textures with alpha channels==

Retro00064: Added Category:Modeling.

2011-09-03T23:54:22Z

Added Category:Modeling.

← Older revision		Revision as of 23:54, 3 September 2011
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	[[Image:MaxMaterialEd_BitmapProps_AlphaSource.jpg]]		[[Image:MaxMaterialEd_BitmapProps_AlphaSource.jpg]]

			[[Category:Modeling]]

Rob at 02:23, 14 September 2010

2010-09-14T02:23:30Z

← Older revision		Revision as of 02:23, 14 September 2010
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	==Common Material Editor Properties==		==Common Material Editor Properties==
	The following properties are common to most materials configured in 3D Studio Max.		The following properties are common to most materials configured in 3D Studio Max.

			The ambient light color can be gently modulated, reduce it too much and dark surfaces result, boost it too much and the mild realtime occlusion effect is lost. The variable is limited but it's worth finding the ideal value of gray for the particular object. RGB 200,200,200 is a good starting point.

			The diffuse light color can be tinted, lightened or darkened. These kind of adjustments would normally be made in texture editing software such as Photoshop. Generally set this variable to white.

			Note under Specular Hilights in the pictured settings that adjusting these spinners has no effect on the reult in game. Simply, these are the settings that are permanently set in game. The maximum specular intensity can be set by altering the shade of gray in specular color, after that the alpha channel in the normal map describes the per pixel intensity.

			The specular levels in the alpha channel are great for representing the difference between e.g. a tin roof and brick wall.

			For a material that deals strictly with e.g something brass or copper then a colored specular light is useful. For most purposes it's best to stick to the grayscale range. So black or near to it for areas you want dull and ranging to white for areas you want very shiny.

	[[Image:max_material_commonl_settings.jpg]]		[[Image:max_material_commonl_settings.jpg]]
	Specular Level - 100		Specular Level - 100 (Viewport representation only, not currently used in game)
	Ambient - ~~White~~		Ambient - Light Gray e.g. RGB 200,200,200
	Diffuse - White (Can be changed to tint material)		Diffuse - White (Can be changed to tint material)
	Glossiness - 32 (~~Visual~~ representation only, not currently used in game)		Glossiness - 32 (Viewport representation only, not currently used in game)

Windwalkr: 1 revision

2010-02-03T13:58:56Z

1 revision

← Older revision	Revision as of 13:58, 3 February 2010
(No difference)

imported>Greg: spelling

2008-11-04T07:38:26Z

spelling

New page

==Further Reference==

The exporter can be found in [[downloads]].

Here are the [[Material Types]] and the 3D Studio Material Editor settings.

==Common Material Editor Properties==
The following properties are common to most materials configured in 3D Studio Max.

[[Image:max_material_commonl_settings.jpg]]
Specular Level - 100
Ambient - White
Diffuse - White (Can be changed to tint material)
Glossiness - 32 (Visual representation only, not currently used in game)

==Textures with alpha channels==
Older versions of the 3dsMax Exporter required both ''diffuse'' and ''opacity'' maps to be set in a 3dsMax material for ''diffuse'' textures or required the exported .texture.txt files be edited to add alpha channel support. That classic behavior is still present, however for the most common action of adding a texture file containing RGBA data, this configuration is no longer required. This applies to ''diffuse'' as well as other texture maps such as ''bump'' or ''gloss''.

To enable this, make sure the ''Alpha Source'' option in the Bitmap properties is set to ''Image Alpha''. This occurs by default when you first add a RGBA bitmap. Note that if you first add a 24bit RGB texture then later change to a 32bit RGBA texture file, you will have to manually change this option.

[[Image:MaxMaterialEd_BitmapProps_AlphaSource.jpg]]